Sion Kim
(...)
Conceiving physical space as a page for means of publishing, embodied punctuation marks are scattered across and drift peripheries of the given structure. Their empty indications (e.g. asterisks that lead to no footnotes) reveal the relation between the author and the world—the present absence, the visible invisible. Without main '(con)text', these materialised punctuations refuse to annotate anything to make their beings make sense. In doing so, the reader becomes lost in the page, just as the author has been for their entire life.
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